The Secret of Leonardo Da Vinci

Art Movements in Western Art History

Some of the statements on this page does not based on serous scientific research. Just someone's view...

The Last Supper a secret visual journey through Leonardo da Vinci's famous Fresco. Where the Grail, Excalibur, Templar Knights, the face of God, and mother and child are revealed. Taken for the soon to be released feature film; "The Da Vinci Papers". In this journey you will also encounter Angles, and many ancient symbols of mystical origin.

 

 

The legend of Leonardo da Vinci is shrouded in mystery: How did he die?

 

 

Are the remains buried in a French chateau really those of the Renaissance master? Was the Mona Lisa a self-portrait in disguise?
A group of Italian scientists believes the key to solving those puzzles lies with the remains -- and they say they are seeking permission from French authorities to dig up the body to conduct carbon and DNA testing.

If the skull is intact, the scientists can go to the heart of a question that has fascinated scholars and the public for centuries: the identity of the Mona Lisa.
Recreating a virtual and then physical reconstruction of Leonardo's face, they can compare it with the smiling face in the painting, experts involved in the project told The Associated Press. "We don't know what we'll find if the tomb is opened; we could even just find grains and dust," says Giorgio Gruppioni, an anthropologist who is participating in the project. "But if the remains are well-kept, they are a biological archive that registers events in a person's life and sometimes in their death."

more here.

 

Secret hidden by Leonardo Da Vinci in his paintings mona lisa and last supper.

 

This is the story of one of the greatest minds in human history. A scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician and writer, Leonardo Da Vinci (1452--1519) was a polymath and arguably the main figure of the Renaissance. He set out to learn all there is to know, conceived new ideas and inventions that changed the world, and created artistic works of astonishing elegance and beauty, including the most famous painting in history, the Mona Lisa.

Leonardo da Vinci Paintings, information and current location.

 

Andrea del Verrocchio and Leonardo da Vinci. The Baptism of Christ. c.1472-1475. Oil and tempera on wood. Uffizi Gallery, Florence, Italy.

The Annunciation. c. 1472-1475. Oil and tempera on wood. Uffizi Gallery, Florence, Italy.

The Annunciation (detail). c. 1472-1475. Oil and tempera on wood. Uffizi Gallery, Florence, Italy.

Antique Warrior. c. 1472. Metalpoint on prepared paper. The British Museum, London, UK.

Arno Landscape. 1473. Pen and ink over a partially erased pencil sketch. Uffizi Gallery, Florence, Italy.

Madonna with the Carnation. c.1475. Oil on wood. Alte Pinakothek, Munich, Germany.

Madonna Benois. c. 1475-1478. Oil on canvas, transferred from panel. The Hermitage, St. Petersburg, Russia.

Portrait of Ginevra de'Benci. c.1478-1480. Oil and tempera on wood. National Gallery of Art, Washington DC, USA.

St. Hieronymus. c.1480-1482. Oil on wood. Vaticano, Pinacoteca Apostolica Vaticano, Rome.

Adoration of the Magi. 1481-1482. Oil on wood. Uffizi Gallery, Florence, Italy
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Madonna of the Rocks. 1482-1486. Oil on wood. Louvre, Paris, France.

Battle Cart with Mobile Scythes. c. 1485. Pen and ink with wash on paper.
Biblioteca Reale, Turin, Italy.

Drawing of a Flying Machine. c.1486. Pen and ink on paper. Bibliotheque de
l'Institut de France, Paris, France.

Two Views of the Skull. 1489. Pen, ink over black chalk on paper. Windsor Castle, Windsor, UK.

Portrait of Cecilia Gallerani (Lady with an Ermine). c.1490. Oil on wood. Czartorychi Muzeum, Cracow, Poland.

Portrait of a Young Man (Portrait of the Musician Franchino Guffurio?). c.1490. Oil on wood. Pinacoteca Ambrosiana, Milan, Italy.

Madonna Litta. c. 1490. Oil on panel, transferred to canvas. The Hermitage, St. Petersburg, Russia.

The Proportions of the Human Figure (Vitruvian Man). 1490. Pen, ink and watercolour over metalpoint. Gallerie dell'Accademia, Venice, Italy.

Head Measured, and Horsemen. c.1490 and 1504. Pen, ink and red chalk on paper. Gallerie dell'Accademia, Venice, Italy.

Five Grotesque Heads. c.1490. Pen and ink on paper. Windsor Castle, Windsor, UK.

Portrait of an Unknown Woman (La Belle Ferroniere). c.1490. Oil on wood. Louvre, Paris, France.

Coition of Hemisected Man and Woman. c.1492. Pen and ink on paper. Windsor Castle, Windsor, UK.

The Last Supper. c.1495-1498. Oil and tempera on plaster. Santa Maria delle Grazie, Refectory, Milan, Italy.

Burlington House Cartoon (Mary, Christ, St. Anne and the Infant St. John). 1499 (?). Chalk on paper. National Gallery, London, UK.

Grotesque Portrait Study of Man. c. 1500-1505. Black chalk on paper. Oxford, The Governing Body, Christ Church, UK.

Madonna of the Yarnwinder. 1501. Oil on wood. Private collection.

Bird's-Eye View of a Landscape. 1502. Pen, ink and watercolour on paper. Windsor Castle, Windsor, UK.

Virgin and Child with St. Anne. c.1502-1516. Oil on wood. Louvre, Paris, France.

Mona Lisa (La Gioconda). 1503-1506. Oil on wood. Louvre, Paris, France.

Copy of the Leda and the Swan by Leonardo. c.1505-1510. Oil on wood. Earl of Pembroke, Wilton House, Salisbury, UK.

The Virgin of the Rocks. 1506-1508. Oil on wood. National Gallery, London, UK.

The Neck and Shoulder of a Man. c.1509-1510. Pen and ink on paper. Windsor Castle, Windsor, UK.

The Foetus in the Womb. c.1510-1512. Pen and ink with wash over black chalk and red chalk on paper. Windsor Castle, Windsor, UK.

Self-Portrait. 1512. Red chalk on paper. Biblioteka Reale, Turin, Italy.

St. John the Baptist. c.1513-1516. Oil on wood. Louvre, Paris, France.

John the Baptist (with the attributes of Bacchus). c. 1513-1516. Oil on canvas, transferred from panel. Louvre, Paris, France.

Copy of the Battle of Anghiari by Leonardo. 1550-1603. Black chalk and ink heightened with lead white, over-painted with watercolour. Louvre, Paris, France.

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